Christon Gray - Clear The Heir

Best Song On The Record:
"Gray" has so much depth lyrically, it touches on recent social issues and calls the church to more action. It is an Ohio all-star show featuring Gray's brother Taelor and Tragic Hero. It isn't a song that can be listened to once. It is a song to sit with. The chorus is an exhortation to the listener, "There's a Heaven and we all wanna go/Does anybody wanna fall on the sword/Take my hand, I just want you to know/Healing begins when you call on the Lord."

Christon Gray is a rule breaker. He does not fit neatly within one genre. Rather, he blends them together, making something that can only be his own. His journey over the years has been the tale of the underdog. This is an artist that should not be counted out or brushed aside. Clear The Heir is an album that will be revisited years from and considered groundbreaking in its own right. Read More Here

 Beautiful Eulogy - Worthy

Lyricists at the Top of Their Game

Beautiful Eulogy‘s lyricists are at the top of their game in Worthy. Odd Thomas is a rapping philosopher and theologian. In the span of seven or eight rapid-fire bars, he packs in doctrine. A few lines of “Messiah,” for example, cover a theology of pleasure, Edenic sadness, divine gifts, Christic centrality, idolatry, and a theology of emotion. Both Odd Thomas and Braille lean on the prolix side, with lines dense with words. But they are experienced rappers, each exhibiting strong breath control and facility for staccato expression. Odd Thomas’s inner-line rhymes lend an irresistible crescendo to his forceful material.

I have listened to Braille now for nearly 20 years (from his “Butterflies” days). The rapper has long been at the top of the list of hip-hop lyricists (secular outlets like URB have recognized him as such). His specialty is hard-hitting, heart-on-his-sleeve content, emotional, tapping into the struggle and glory of the regenerate human condition. Braille uses pitch and tone masterfully, occasionally breaking into what is nearly a yell to pierce the heart with biblical insight. In places in Worthy, the hair on the back of your neck will stand, as in Braille’s verse in “If. . .”:

And the grace of God is only sweet to the ears who hear the sound of it
But that sweetness won’t be tasted by the mouth of a counterfeit faith
Only the thirsty will drink from the fountain of life
And count everything as a loss for the sake of being found in Christ

The Pacific Northwest, Hip Hop’s New Fertile Ground

Braille came up in a different day in Christian hip hop—the days when lighthearted, youth-group-focused artists proliferated; when Cross Movement blazed the “doctrinal rap” trail to the tune of ferocious East Coast beats (on par in some songs with Wu-Tang Clan and other leading groups, despite serious budgetary differences); when West Coast Christian rappers in some cases battled one another and in others delivered creative and impressive records; and when Southern rappers carved out their hook-driven, boldly-believing material (this book is helpful here).

Rap, and Christian rap, has gone in different directions since the early 2000s. Beautiful Eulogy has essentially charted new territory in the Pacific Northwest. Hailing from this region, Macklemore stormed the rap game a few years back, eschewing a splashy label deal for independent distribution, progressive lyrics, and an organic—at times almost tribal—sound. I would not link Beautiful Eulogy directly to the Grammy-winner, but it is clear a new subgenre has emerged in both secular and Christian rap circles in recent years.

Worthy showcases this exciting and still-morphing sound. Though some songs on the album are better than others, there are no skippable tracks. The softening of some of the electronic musical elements from past efforts strengthens Worthy. In general, the rappers are at their best with a fast tempo and a soaring sound. The majestic intro of “Weight” sets the tone for what follows; “If. . .” speaks movingly to the nature of persevering faith; “Worthy” brings to resolution the Jesus-drenched nature of the album.  Read More Here

Taelor Gray - “The Mocker and The Monarch”