In 2013, Sho Baraka veered away from the Christian hip-hop (“CHH”) playbook and dropped Talented 10th, an album that broke new ground for a faith-based rapper by challenging systemic racism and other social issues head-on. From that point forward, the rest of CHH spat lines they’d previously held back.
But courage often comes with a price. Two years later, Baraka released The Narrative, and despite a product description stating the music was “saturated in a gospel worldview,” Christian bookstore chain LifeWay stopped carrying it in stores. Customers complained the album pushed the envelope too far, and the controversy made national news.
Baraka narrows his focus from the social to the personal on So Many Feelings, a joint effort with up-and-coming R&B vocalist Vanessa Hill. So Many Feelings once again goes where no one in CHH has dared tread before. It’s a journey through modern marriage and relationships, touching candidly (but not explicitly) on the happiness, tension, sex and conflict that every couple deals with. We sat down with Baraka and Hill to discuss their latest sonic innovation.
There’s never been a hip-hop project that even closely resembles So Many Feelings. Where did the idea come from?
So I just said, ‘Hey, if I wanted to do this album, who could I actually do it with?’ Vanessa and I had done some shows together—she was on The Narrative—and I loved what she did with that. Funny thing is I thought she was married …
Vanessa Hill: And I am not married. But that was funny.
Baraka: Come to find out about halfway working through the project she wasn’t married.
Halfway? That’s a little late.
Hill: We were just writing, there wasn’t any time for personal questions.
Baraka: She had been dating this guy for 20 years, and he kept showing up with her everywhere. When we did shows together, they were together the whole time. They argued and communicated like they were married, so I just thought they were married.
Hill: You know, we’re heading down the path.
When you made the fake tracklist, how many of those actually became real songs?
Baraka: About 80 percent became real songs.
Sho, your wife is speaking on the record, on the interlude tracks. How much of the record is what your life looks like and how much was hidden behind the veil of art? Is this supposed to be taken as an autobiography or as a metaphor?
Baraka: I think the beautiful thing about art is we have the creative license to blur the lines of reality and fiction. We are creating fictional characters while drawing from personal experience. Everything I communicate on this album is either something I’ve experienced, something I’m going through right now or something I’ve had a conversation about with a friend. So these are not things I’m making up. That’s the reason I think people are able to connect with this, how authentic and real it is.
Hip-hop has a long tradition of creating interludes for people to connect the stories. I thought it would be like counseling in helpful moments because something can get lost in the communication of art. If we could create a dialogue artistically, I thought it would be good to include the biographical piece.
Hill: That’s the cool part about creating these fictional characters. People who are listening who are not married can still get a lot from the record because the subjects are love, communication and trust. Those aren’t confined to marriage. You can take these principles to how you deal with your boss, how you deal with your aunt, how you deal with your coworker. I think us creating these fictional characters but speaking from a real place is going to give a lot of people wisdom and hope.
Baraka: That’s brilliant. Because really, the idea of marriage is just an intensified relationship. It’s not just a marriage album, it’s a relationship album. This is why I brought Vanessa on; she is a genius.